Editorial
Office Noir
models Charlotte Türk, Camilla da Silva,
Esra Sağlam & Marlene Prochner
fashion styling by Eda Sağlam
makeup by Charlie Baumgärtel
photo assitance by Edward Roth
This editorial explores the contrast between two different worlds. The office stands for structure, logic, and uniformity, while gothic aesthetics focus on emotion, expression, and mystery. Together, they create a new kind of authority.
Black-and-white images bring out these contrasts: bright office lighting meets dark fabrics, clean lines mix with playful details. Classic officewear is broken down and combined with gothic elements — black lace, silver chains,
and dark makeup blend with sharp cuts and simple shapes. It is about self-expression and duality. The mix of these styles raises new questions about power, individuality, and identity.
Esra Sağlam & Marlene Prochner
fashion styling by Eda Sağlam
makeup by Charlie Baumgärtel
photo assitance by Edward Roth
This editorial explores the contrast between two different worlds. The office stands for structure, logic, and uniformity, while gothic aesthetics focus on emotion, expression, and mystery. Together, they create a new kind of authority. Black-and-white images bring out these contrasts: bright office lighting meets dark fabrics, clean lines mix with playful details. Classic officewear is broken down and combined with gothic elements — black lace, silver chains, and dark makeup blend with sharp cuts and simple shapes. It is about self-expression and duality. The mix of these styles raises new questions about power, individuality, and identity.